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So, from a lighting designer's viewpoint, this third factor is crucial, as using specific colours is the one of the easiest ways to set the mood on stage. The third factor relates to the cultural meaning of specific colours. Because of their use throughout popular culture, certain colours are more likely to convey particular emotions and concepts than others.As in, when you look at colours, how do they make you feel? The second of these factors is emotional.
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When you look at a particular colour, or a combination of colours, do you find them visually appealing?
STAGE LIGHTING DESIGN THEATER FULL
A full quota of side lighting consists of bottom, middle and top lights, which reveal the three tiers of a performer's body. Side lighting, which is primarily used to highlight the side of the face, arms, mid-torso and legs.
STAGE LIGHTING DESIGN THEATER SKIN
The colours used should enhance the scenery and complement a performer's skin tone. The distinction between warm, cool and neutral front lighting establishes mood, time and place. Front lights, which are the primary source of lighting for most scenes.Lighting PositionsĪlthough you can place luminaires almost anywhere, most stage lighting designers focus on five main positions. And choosing the correct lighting positions and the right mix of colours is the easiest way to achieve both. It's about using light in a way that enhances what's on the stage and creates the right mood for each component of the story.